May… be the beginning of something special…

It feels as though spring accelerated rapidly after a slow start this year. The dandelions took me by surprise. Suddenly they were everywhere and just as quickly they seem to have gone to seed and blown away. Certain flowers seem to take over in waves. The buttercups have taken the place of the dandelions in the meadow, where blackthorn ruled the hedges hawthorn – mayflower – radiates, on the woodland floor the glorious bluebell’s time is passing and wild garlic’s white burst are illuminated the gathering summer gloom beneath the canopy.

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Just a week ago the train line was starting to green up. The trees were were no longer sparse but voluminous. The void being filled and everywhere feeling closer. It has now settled into that state as if the change never happened. The leaf canopy that overhangs the road was a cold, lime green but now that colour has deepened to something deeper and richer.

Last year’s forestry work seems to have displaced the nightingales. I can still hear them but they are now deeper into the wood and I am hearing snippets during the day rather than the long plaintive song. As part of the annual cycle, or as a one off change in the environment, gaps are made and filled and often space is found and filled where no apparent gaps were to begin with. Garlic mustard seems to be having a bumper year. That, or I’ve become more sensitive to it. The cow parsley is also now in full bloom. Bugle, greater stitchwort, Ale hoof, cow parsley and dead-nettle are all in flower. Primroses are still visible and I think I spotted an archangel.


I’ve tried a number of variations on the theme of yeast harvesting recently; using the same technique in a London park, spontaneous fermentation under apple blossom and 60 plus year old takeaway dregs. This post documents them.

Dan at Kill the Cat, a beer shop on London’s Brick Lane, asked me to help him collect wild yeast from the Nomadic Community Garden. In the event, the garden was shut but we found loads of flowers in Allen Gardens. It amazed me how much was there when I stopped and looked. What at first looked like nothing but grass and hedges included dandelion, yarrow, dead-nettle, cow parsley, Alexanders that are non-toxic as well as butter cups and alkanet which possibly are. There was also hawthorn in the hedge. We took samples of the dandelion, dead-nettle, alexanders and hawthorn. I chickened out of cow parsley just in case it was hemlock. These samples were treated the same as those picked at home. 6 flowers were placed in individual centrifuge tubes with unhopped wort. The difference was that I prepped everything before leaving home; sanitising the tubes, boiling up the wort and carrying a spray bottle of sanitiser. Dan has some exciting plans for what he would like to do with the yeast, with potentially some collaborations, so let’s hope for a successful harvest! After a week in the tubes there are lots of bubbles, one or two with mould, and I will probably remove the flowers to prevent them spoiling.

Experiment number two employed mini arboreal coolships – AKA small buckets of hot wort hanging in trees. I wanted to capture the moment of the apple blossom using a variation on Michael Tonsmeire’s ambient / spontaneous captures on The Mad Fermentationist. The wort was preacidified rather than hopped, to mitigate bad bacteria but not inhibit good bacteria. 1 litre of hot wort was placed in a 2 litre bucket, with muslin over the top and arched hat of A4 acetate attached to the bucket handle. There are four apple trees in the garden and a bucket in each of the three largest trees overnight. In the morning they were tipped into 1 litre Kilner jars with airlocks. After 24 hours there was activity in all of them with one, from the furthest tree from the house, particularly bubbly.

The third experiment was to reawaken very old beer dregs. My mother’s family live in Hull and an earthenware gallon beer vessel in a wicker carrier was found in a store cupboard at my gran’s house. For a number of years now my parents have used it as a door stop. I recently gave it a bit of a swish and could hear that liquid was inside it. I suspected it had been forgotten about sometime in the 1950’s, possibly a little earlier or later, between when my grandparents moved to that house and when my grandfather died. I think it was used to carry takeaways from a local pub or brewery. It says Moors’ and Robson’s breweries Hull on it, who operated between 1888 and 1960. At the weekend I sucked out the contents with a barrel thief. It was a black sedimenty sludge. This has been added to a hopped low gravity starter.

I also stepped up my previous flower captures – wood sorrel, violet and primrose. There was no great difference between the aromas coming from the room temperature and the water bath samples. Those in the water bath had been held at 35-40 deg C for 72 hours to encourage souring, as an experiment.

Of the wood sorrel at room temperature two had mild fruity esters and were kept. One had white mould with black spots and was binned. Of the warmed wood sorrel, one had mild fruity esters with a possible pellicle, one was fruity and creamy and one smelt of sweaty bum. The latter was binned. The four good samples were combined In a conical flask with 250ml of un-hopped un-acidified 1.030 gravity wort.

Of the violet, one was bubbly with an aroma of flowery perfume but possibly a bit sweaty. Two possibly had black spots of mold where the flowers were not submerged but didn’t smell bad. These two were binned. Of the warm violet, one was sweaty / cheesy (binned). The other two had a flowery perfumed aroma. These two were put in a bottle of 250ml unhopped wort and placed in a water bath at 40 deg C. The single room temperature violet sample was treated as the wood sorrel.

Of the three primrose at room temperature, all were flowery but subtle. Of the warmed primrose, one smelt a bit sweaty and one was a bit savoury – on the way to horsey or leathery maybe. Both were binned. The final tube was a bit flowery. The four retained tubes were treated in the same way as wood sorrel.

After 24hrs both the wood sorrel and the primrose were actively fermenting.

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Back to back

Over the winter I’ve been brewing a series of darker beers to age for next winter. These have included Flanders Red, Oud Bruin, Stock Ale and Old Ale. The second two were brewed to top up the first two when I racked them off the primary yeast cake, using low hopped portions of the wort. I’ve also brewed them to reuse my wild yeast blends. The Flanders Red was split and half was fermented with traditional commercial yeast and half fermented with wildflower yeast Blend 2. The Oud Bruin was also split with half fermented on the commercial yeast cake from the Flanders Red and the other half fermented with Blend 3 wild yeast. The stock ale was fermented with Sussex yeast in the primary and Brettanomyces Clausenii in the secondary. The Old Ale was then intended to use all three wild yeast blends (Blend 1, Blend 2 and Blend 3 from 2017) and therefore act as a yeast bank.

I brewed the Old Ale on 14 April. It ended up being another marathon brew day with back to back brews starting at 3pm and finishing at 3am… The first brew was a trial run for my cousin’s wedding this summer; a pale, sessionable, ale with shed loads of locally grown English Chinook and American west coast yeast. The second brew was the Old Ale and I wanted to make a better job of brewing a strong ale after winging it with the Stock Ale and not achieving the desired volume. It went pretty well but my mash tun is too small for that quantity of grain so I struggled to get it up to the desired mash temperature. I tried draining off portions and heating them up in a saucepan, which raised the temperature to 66 deg C but not 68 deg C as intended. The recipe’s below:

OG:1.078 ABV:8.6% SRM: 34 IBU: 50

61% Maris Otter
32% Munich Malt
2% Carafa 1
3.5% crystal malt (30L)
1.5% dark crystal malt (120L)

Mash at 68 deg C for 60mins. Boil for 150 mins.

I sparged 25 litres and split this, using 6.5 Litres for the Oud Bruin top-up and and 18.5 litres for the Old Ale. The Oud Bruin top-up was boiled for 1 1/2 hours with Bullion hops to 10IBU. The Old Ale was boiled for 2 hours with equal weights of Bullion hops at the start of the boil and 30 mins from the end of boil. After racking, the gravity was only 1.072 so it was put back in the kettle and boiled for a further 30mins (150 mins in total).

The Oud Bruins were both tasting nice still slightly sweet with mellow smokiness from the cherry wood smoked malt. The commercial yeast portion had a pH 4.3 and the Blend 3 portion was at pH 4.4 so not very acidic yet; hopefully that will go lower with time. The gravities were 1.010 and 1.008 respectively. Both were chestnut brown.

11.5 litres of Old Ale was racked onto the wild yeast blend of blends. After 24 hours fermentation started in earnest, shooting through the airlock.

About 2 litres of wort remained once the carboy were filled; a mixture of Old Ale and the Oud Bruin top-up. This was used as starters to feed Blends 1, 2 and 3 for a future pale ale.

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I now feel I’ve come full circle. The wild cultures from 2017 are now house cultures for 2018 and will continue to be experimented with. The seasons have passed by and spring has arrived again. It’s been a slow, cold start for a few weeks primroses were the only flower, uncontested. Then wood anenomes slowly gathered momentum. But in the last week much of the flora and fauna has woken up. This included the birds and subsequently me. The dawn chorus woke me up at 5:30 the other day but it was worth listening to.

An area of woodland near the house was cleared last year. It needed doing but it left a stark scar. Now, however, it is being reclaimed. Plant that I haven’t seen there before are taking over: primrose, wood sorrel, violets, garlic mustard and wavy bitter cress. This motivated me to collect my first wild flower yeast captures of 2018. I realise I looked pretty weird out in the woods at 2230, head torch on, carrying a stainless steel bowl full of 18 centrifuge tubes and a pair of tweezers…. a possible error was to use the same tweezers for each flower so cross contaminating the samples.

 

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Last year I didn’t generate much sourness. This is mainly do to over hopping the brews but I though I would try an experiment to optimise lactobacillus production. I took 6 samples of each flower and half the centrifuge tubes were treated like last year – filled 2/3 full with 1.035 gravity wort, aerated and left at room temperature. The work was unhopped pale malt extract. The other 9 tubes were filled a little more, not aerated and then places in a thermos flask water bath at just under 40 deg C. I will leave them for a few days as if sour worting before allowing to cool to room temperature and aerating. Maybe this won’t work because it is not a pure lactobacillus culture and the high temperature may encourage off flavours or other bacteria – no harm in trying though. I also read somewhere that ground dwelling plants have stronger lactobacillus cultures, which is why cabbages lactoferment so easily. We shall see.

 

Blending into Autumn

 

Since the last post the seasons have shifted into autum, the valleys have been cloaked in mists and now the first frost has come.  The blackbirds chime together a tinking call like an engine cooling down after hard effort.  The leaves have turned through a spectrum of colour and now mostly fallen, as have the apples, starting with our early tree and finally the cooker.  I’ve retained some for cider if time permits.  The woodland trails are a wonderland to run through; the hollow-ways carpeted in leaves, providing a secret solitude.  Beachy Head Marathon was an exhilarating highlight of the last month.  The view from the top of Windover Hill was stunning, with clear cold blue skies and the perfect undulations of the Downs unfolding to the sea.

 

 

The ale has been biding its time, slowly changing it’s character. A pellicle formed on Blend 1. I think this was because I ran out of carboy bungs so for a few days it was sealed with cling film allowing some oxidation. Some fermentation recommenced as different gravities combined with the different strains of yeast.

 

In the last month I have opened bottles of Gorse, Primrose, Wild Apple, Blackthorn and Dandelion, which were bottled on the 9 September. My tasting notes are below.

 

Date Originating Flower Tasting Notes
13 Oct 17 Gorse Low – moderate carbonation. Pale gold. Aroma of heady funk. Floral, marzipan, coconut, pea flower – gorse. Not distinctly sour.
21 Oct 17 Primrose Moderate carbonation. Pale gold. Floral and something almondy like meadowsweet – an astringent raw nut.
28 Oct Wild Apple Moderate carbonation. Gold. Fruity, clean.
4 Nov 17 Blackthorn Moderate carbonation. Pale gold. Marzipan, softened by the carbonation
6 Nov 17 Dandelion Yellow gold. Indistinct but floral aroma. Bitterness.  Spiciness. Slight astringent aftertaste. A bit acidic – slightly mouth-watering pH 4.3 however.

On the 4 November, after two months in the carboy I bottled half of Blend 1 into 32 375ml bottles. At this stage it had a gravity of 1.003 and a pH of 4.25. There were aromas of marzipan as well as some higher alcohol /estery notes. The flavours were of pale fruit like apple or grape. The other half of the blend was split into two demijohns: one with 8g of medium toast American oak chips and one to eventually blend with Blend 2 and 3 once they are ready.

The same day I sampled and blended the next four demijohns – Garden Apple 2, Broom, Hawthorn and Rowan. They were sampled first at room temperature and then chilled.

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Originating Flower Gravity pH Tasting Notes
Garden Apple 2 1.003 4.0 Clear. Golden. Hoppy, floral aroma. Dryer than the other samples.
Hawthorn 1.004 4.3 Clear.  Rose gold colour.  Not distinctly aromatic. Stone fruit. Creamy flavour.

 

Chilled – Deep fruity.

Rowan 1.004 4.3 Clear.  Straw gold. Subtle roselike aroma, stone fruit. Spicy

Chilled – Astringent

Broom 1.007 4.0 Clear.  Straw gold. Honey aroma, pea-flower. Tangy compared to the other samples.

Chilled – Some medicinal, petrol aromas

4 x 375ml bottles of Garden Apple II, 4 of Hawthorn, 3 of Rowan and 2 x 330ml bottles of broom were taken from the demijohns. I bottled straights from the demijohns with granulated sugar in the bottles. While I normally decant what I’m bottling into a bucket with sugar syrup, it seemed logical with such small quantities to add dry sugar to each bottle. I also filled the bottles first so as not to disturb the trub at the bottom of the demijohns. I took a different number of bottles from each demijohn because I saw, half way through, that I was not going to fill the carboy if I filled 4 bottles of each.  This left 2.5l of Garden Apple II, 2.5l of Hawthorn, 2.875l of Rowan and 3.34l of Broom to fill the 11.4l carboy.  I was not aiming for a specific ratio for blending because each ale had a similar acidity and structure.  The dregs from each demijohn were combined for the next brew. As I wasn’t able to brew the same weekend I have prepared a 500ml lightly hopped starter.

I’ve also retained the dregs from Blend 1 and a third of the dregs from the four demijohns (Blend 2) and fed them with 250ml of lightly hopped malt extract for the BrewCon London Megablend. Also, as part of brewCon London’s Homebrew Week , I’m taking a bottle of Gorse and a bottle of Dandelion along to Bring the Funk at Redchurch Brewery. I love their Urban Farmhouse range so it will be interesting to hear what people think of my brews.

Over the year I have recorded notes in this blog but it’s difficult to quickly reference and see how one observation has flown into the next. I have created a flowchart to chart my sensory tasting notes and brewing and blending process. I hope this creates a visually clear reference. A pdf is here and I will keep it up to date.

Sensory testing flow diagram_V4

 

August – time out

It’s been a while since I last posted, but summer travels got in the way of beer making. I spent a few days in Suffolk, where I grew up. While there I went on an early morning run in the sunshine around the local lanes. It was Sunday, it was quiet and the sun was shining as I set off at 0630. I covered 19 miles, training for a marathon, so lots of time to think.  Some lanes I knew well and some not so well, even though they were reasonably close to home they were paths less travelled.

I had mixed feelings travelling that route. Some warm rememberances but some sadness at places that had faded: pubs I worked in in my teens now closed; houses where friends had lived now unwelcoming as they have since moved on; and other houses, once proudly maintained, now overgrown and up for auction.

In some ways I am spoilt in Sussex by the natural diversity but the silence of the large Suffolk arable fields, stripped of hedgerows, is a shame. Most notably birdsong but something is missing. That said there were still moments of wonder – there were hares! I love hares but never see them in our corner of Sussex and I don’t know why. On my early morning run one crossed the road in front of me, one sunk down into its form in the field as a I approached and another darted for cover in the yet unharvested wheat. There were also plenty of partridges. Fat hen and mugwort were growing by the roadside, which I find less frequently in Sussex.

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Macfarlane’s The Old Ways and a Shield Bug

Macfarlane’s “The Old Ways” (my holiday reading) starts each chapter with an apparently random list of words and phrases, meaningless at the start of the chapter, but looking back they represent shorthand for the story now understood and flow together. This is much like how points on a map join together to make an integrated path when travelled. Similarly a run from disparate place to place becomes one fluid memory and while running the mind has the time to piece together memories with new ideas providing clarity of thought and deeper understanding.

While in Suffolk I was able to visit Little Earth Project brewery. It was great to meet Tom and inspiring to see what he is doing there. I found their approach a very honest and logical way to brew; wherever possible everything was of its place and, to my mind, if you can, why wouldn’t you brew this way. Any other way is just a collection of things from elsewhere brought together and a bit contrived. The brewery has a borehole for water, solar for heating, local renewable coppiced wood for fuel and a thoughtfully constructed building. The barley and hops are grown locally and organically in their own field and wild ingredients are foraged. Tom explained that the name for the brewery had come from a comment made in an interview he heard with Jester King brewery, that they were trying to create something from their little piece of earth. I think they are achieving it at Little Earth Project with a sustainable, self contained, nuclear brewery. As with the book, the map and running, the brewing ingredients and processes come together to form a meaningful beer.

I tasted a few of the beers at the brewery and took a few bottles home. They have a unique complexity of wild flavours. The flavours gave the beers a distinct identity that I doubt could be replicated by another brewery unlike a “clean” beer that could be reproduced anywhere. Some of the beer sampled straight from the barrel, including a porter on plums and a saison in a Chardonnay barrel tasted great, so I look forward to these reaching the shops once bottled. Of the bottled beers drunk so far the Glebe Organic was fantastic and the Elderflower Hedgerow Sour was great too. If I were to splitting hairs, a little more consistency between bottles would refine the product, but I’m really excited to watch, and drink from, this brewery as it progresses.

 

Back home the buzzard family have fledged and fly together, wheeling weightlessly overhead, free and with effortless grace. I’m noticing more bats but maybe it’s because it’s dusk now when I’m running home. I swear I can hear bats! They sound like a thumb nail being dragged across a comb. The thistles and rosebay willow herb are now downy. Hogsweed and meadowsweet are also now offering up  their seed heads. Black knapweed and birdsfoot trefoil flowers are still holding on. Common Fleabane and Watermint are now plentiful and Lady’s Bedstraw is also growing in small patches in some areas. The heather is now beautiful in the woods and it would be fun to recreate an historic ale with it. I Think I identified some wild Angelica in the woods (might have to make some more bathtub gin!).

 

There’s glut of blackberries. Their evocative scent filled the air as I ran down one narrow path flanked by brambles. I made some fruit leather from them as a new experiment. I followed the River Cottage Hedgerow Handbook recipe. It was beautiful to look at, tasty and so didn’t last long. I also racked a gallon of saison onto 300g of blackberries. A little less fruit than I intended but let’s see.

 

Watermint is also prolific in the woods at the moment.  I would love to use it for something but I’m not sure what beer it would complement. I think I will make a cordial from it and then add to beer at bottling as priming sugar.

 

More brewing, and blending, next time I promise.

My delight on a shining night

I’ve been meaning to collect meadowsweet and yarrow for a week or so. Meadowsweet especially as it’s been around for a while whereas the yarrow has some time yet, I think. With one thing and another it wasn’t until half ten on a Monday night that a slightly exasperated me set out into the woods to collect some. That night turned out to be such a rare treat, emphasised by my lack of expectation. I had never heard a nightjar before but as I walked further into the woods the repetitive cricket-like churring became louder and louder. The bird was in the bracken and I skirted round it passed the stream to where the meadowsweet grows. I didn’t find any yarrow but the meadowsweet, at chest height with a heady fragrance, was easy to feel for in the half light. I snipped flossy heads into sanitised centrifuge tubes. Something strange flew overhead that I still can’t place. It crackled and half roared like dragging a foot over gravel, reminiscent of a flare firing before it pops. It was maybe a bat or a large insect but not one I’m familiar with. I carried on over the hill and looped back round towards home. A juvenile tawny owl called and the soundless silhouette of the owl’s steady wing beat moved across the sky. I returned to the nightjars, which were now louder than before. One rose from the bracken, poised like a kestrel against the last light in the sky, before settling again into the undergrowth. One clapped its wings and moved its position when I got too close. As I headed home the full moon shone bright through traces of clouds and unseen creatures shifted their position, given away by the dry leaf litter.

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That night I made a fresh starter for the elderflower and rose captured yeast with lightly hopped wort and also made a starter for some of the WLP 566 Saison Ale II, saved from last brew day. The dog rose had a moderate film pellicle on it and smelt of roses and perfume. I feel like that is stating the obvious but the dog roses had no significant scent when I picked them and are now two propagation steps removed from the flowers. Do any flower/fruit aromas come from the esters these microbes create? Clearly, I don’t know what I’m talking about and am stabbing in the dark (recently I picked up a satsuma with a mould bloom on it and the orange ester smell was amazing). The elderflower was floral but less distinct. One had a stonking pellicle, wrinkled and holding large bubbles. The other had a thin film.

That night I also racked the “Braison” off the strawberries. I had used 1.2kg of strawberries having read that there are 5g of sugar in 100g of strawberries. This quantity seemed in line with some recipes in Greg Hughes’s “Home Brew Beer”. This would have added 60g of sugar plus 140g of honey making the OG 1.062.  Unfortunately I think the “Braison” is a failure. I knew I had put too much grain of paradise in and the flavour was very phenolic and reminiscent of pencil lead. I will leave it alone for a month and decide then whether to ditch it.

I squeezed in a brew day on Sunday (23 July). I tried to keep it fairly simple with a 20litre batch following the Burning Sky Saison Provision (one of my favourite beers), from Euan Ferguson’s Craft Brew. My recipe was as follows:

OG:1.052 FG:1.009 ABV:5.5% SRM:4 IBU:13 20L batch

85% Pilsner malt
5% wheat malt
5% spelt malt
5% caragold

16g East Kent Golding (5.92% AA) at 60mins
8g East Kent Golding at 15mins
17g each of Saaz, Celeia and Sorachi Ace at 0mins

The mash was held for 60mins at 65 deg C with a water grist ratio of 2.6 l per kg. 0.5g each of calcium carbonate and magnesium sulphate were added to the mash to improve my water profile for a heathy fermentation. pH was 5.5. I did an iodine test at the end of the mash to try something new and the starch was converted. 22l were sparged, which in retrospect was too little as the gravity was 1.020 and I only ended up with 18l at the desired gravity post boil and after liquoring back. This was enough however to fill four demijohns. Rather than chilling in the boiler I transferred to a bucket and chilled in there, which achieved a far better cold break.  I struggled to separate the wort from the trub but I’ve read conflicting report of whether this needs to be done.

The four demijohns had rose captured yeast, elderflower 1 and 2 captures and WLP 566 Belgian Saison Ale II added respectively. The pellicles were really impressive again; wrinkly on the rose and bubbly on elderflower 2. Elderflower 1 had a very thin film.

 

 

Dandelion and apple blossom

The Easter weekend provided even more time to wander the footpaths and inspect the hedgerows for plants and flowers of interest. I think I now know the difference between cow parsley, hog weed, hemlock and hemlock water-dropwort – the latter two are poisonous. I spotted Alexanders, lime green, in local abundance in Suffolk. Also heard and then saw a sky lark while there on an early morning run, which was a treat.

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Back in Sussex I tried to find more Alexanders but so far without success. Between my wife’s extant knowledge and our smart phones we spotted a number of flowers, including coral root, red campion, vetch, dog mercury, archangel, townhall clock, herb robert as well as carpets of stitchwort and bluebells, which are almost at their best.

While my wife stopped to photograph a wild orchid, I collected dandelions and wild apple blossom for the next round of yeast collection. Both were in a meadow about a mile from the house and within our valley. I probably don’t want to exceed this distance to achieve the local, “terroir” specific, yeast that I’m aiming for. We spotted a few rowan saplings which would provide an interesting addition to the beer if they flower. I also now know where to find a wild cherry and possibly a damson for next year. They were both down by the river but the blossom had gone over.

One of the highlights this time of year is the nightingale. A few years ago we joked about naming our daughter nightingale if we heard it before she was born. When I came back from the hospital and stood in the driveway at 4am there it was, clear as a bell in the otherwise stillness of the pre-dawn night. Punctual as ever, I heard the nightingale last night for the first time this year. Some phrases of his tune warble, some stutter, some notes are drawn out as if longing for his mate. It’s a truly magical sound and a happy birthday to my daughter.

The apple trees in the garden are very old and I have made cider from them before using the naturally occurring yeast. On that note I tasted a bottle last night. I should call it the forgotten cider. They were 2015 apples, stored/forgotten over winter, fermented and racked to a secondary in early spring 2016 and then forgotten about until they were bottled at the end of last year. It’s not my best, pretty dry, but I like it and the dregs might be propagated to ferment a Saison as a side project.

The wild apple, garden apple and dandelion were collected in the same way as before. Following a recommendation on Milk the Funk Facebook group I will remove the flowers after 24 hours. I have been collecting the flowers in freezer bags rather than carrying many tubes in my pocket, for convenience but also giving the insects a chance to escape. While I’m keeping the types separate, this does give the flowers time to muddle together, preventing each yeast capture from being isolated and unique.

The gorse batch of beer took off at a rate of knots within 24 hours and was spewing out of the airlock most of the week. After seven days it has calmed but is still bubbling persistently.

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One of the flasks of primrose starter doesn’t smell so good. One of the more vigourous blackthorn flasks smells of nail varnish but not unpleasantly. I’ve read this can be caused by fermentation at high temperatures, unhealthy yeast, or brett fermenting in the presence of oxygen. The latter is certainly possible, there was a lot of air in the flask. Unhealthy yeast is possible and I will add yeast nutrient in future. Brewing Reality said that ethyl ethanoate can be found in lambic in high level due to two wild yeast strains. The other blackthorn and primrose smell ok if less distinct.

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The more vigourous blackthorn flask

Blackthorn and primrose

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After a wet week it was another glorious, sunny weekend with many spring flowers coming into bloom. A trip across the South Downs on Saturday showed the county at its best, with the sunlight and shadow highlighting the soft contours. With 4 weeks to go to the Southampton Marathon, a 20 mile run first thing Sunday morning took me half the way to Pevensey Bay and much of the route was lined with a riot of primrose, wood anemones, milk maids / cuckoo flower and lesser celandine. There were also a few early dandelions that, with any luck, will be fermenting in April!

The activity in the test tubes had slowed earlier in the week, after about 10 days, so it was time for the sniff test and to step them up to 250ml in conical flasks. Most of the gorse flowers, which had fermented less vigorously, smelled of coconut from the flowers and a little of pear drops. They were promising and so kept. One smelled of cabbage and was binned. A starter wort of 1035 SG was prepared, cooled and aerated. The three that smelled most similar were poured into one flask and the two that were a bit weird were placed in another.

The catkins, which fermented more vigorously were less promising. Three smelt of nappy / dustbin so were binned. The remaining three were a bit weird and earthy but not necessarily bad so they have a stay of execution until the next round of judging, at which point it might be me that gets killed off by drinking them. This could be a short running blog in that case!

To keep things sanitised I rinsed the conical flasks with boiling water, rinsed all equipment with no rinse sanitiser (which again I rinsed off!?). Following a tip from Ales of the Riverward I also used a spirit lamp to try and keep the air clean. I was making sour dough earlier in the day so there was plenty of other microbes floating around. As an aside, Wild Beer Co have made a tasty beer from sour dough culture so that might be another project to mimic in the future.

The next pair of flowers were also collected this weekend. What I think is wild cherry has been lining many of the roadsides in the last few weeks. If I could find it near the house, away from the road and positively identify that it is wild cherry I would have used it. Maybe next year. I was, however, in no doubt about spotting primrose and blackthorn. I learnt a good bit of country lore from my wife, “blackthorn is flower before leaf and hawthorn’s leaf before flower”. They were bagged up, insects given some time to vacate, and placed in tubes as before. The spirit burner was used to try and keep the air clean and the starter wort was 1025 SG.

First bubbles

It’s finally daylight again for my early morning runs so it’s nice to have a better view of the countryside around me. I can see flowers in the hedgerows now and my mind is filled with brewing possibilities. Primrose and wood anemone were flowering and I think I saw the first milkmaids. I think primrose is the only one that’s edible. Wood anemones are part of the buttercup family, which are generally toxic. I was also reminded of where I picked meadowsweet for last year’s saison. There was a dense fog at the bottom of the valley, submerging it as if an ice-age had returned. It really brought the contours to life. What is normally another indistinct hill in the landscape was now a sharply defined spur enveloped by cloud. The dawn chorus is now at the same time as the run, so another seasonal treat.

The test tubes are looking promising. The catkins are certainly more active but they’re bigger and dustier so no surprise really. Bubbles are forming on the surface and the catkins have trapped submerged bubbles. Some of the tubes are cloudier. There is a bit of sediment at the bottom of the tubes. I gave them another shake and one tube hissed pleasingly.

 

First blog post – gorse and hazel catkins

Saturday felt like the first proper spring day of the year. We walked through the woods and up to the ridge and it was a glorious still, warm and sunny day. With spring in the air I’m feeling optimistic and it seems like a good weekend to start the project.

I had a long run on Sunday so my wife picked the first flowers of the project. We started with gorse flowers and hazel catkins. While gorse is always in season and, I think, peaks slightly later in the year, it’s put on a bit of a spurt recently so now seems a good time to try it. I love the spot they came from. We live in Kipling country and the hill where the gorse is is Pook’s Hill in my mind. I like to think I’m bringing a little old world magic into my beer!

 

Once the flowers had been collected small bugs, such as thunder bugs, started emerging from the flowers. Next time I’ll collect the flowers into a small sanitised Tupperware and decant the flowers from there into the centrifuge tubes, having given time for the bugs to leave the flowers. This will also save carrying multiple tubes out for a walk.

Once cooled the wort was aerated by swirl/shaking the Erlenmeyer flask. Initially I used a pipette to transfer the wort but it wasn’t necessary – pouring worked fine.

The detail of my process is under the method tab.